Indrė Baikštytė is a representative of a famous family of Lithuanian musicians. Her grandfather was the composer Eduardas Balsys. Her mother is the pianist Dalia Balsytė. The young pianist was surrounded with music since early years; thus, her chosen profession is a natural continuation of family traditions.
Education
Born 01 05 1979 in Vilnius. In 1984 – 1993 she studied piano at the M.K.Čiurlionis Secondary School of Art, Vilnius (now National M. K. Čiurlionis School of Arts) with teacher Nijolė Kereševičienė, later, with Prof. Olga Šteinberg (1993-1997). Then she entered the Lithuanian Academy of Music and Theatre where she studied piano with Prof. Olga Šteinberg; in 2001 she graduated and in 2003 completed her MA in piano solo and accompaniment. In 2001/2002 she received the SOCRATES / ERASMUS stipend through an international exchange programme to study piano at the Universität der Künste, Berlin with Prof. Laszlo Simon. In 2005 she finished her practice based PhD studies at the LMTA (with Associated Prof. Irena Uss-Armonienė, Associated Prof. Dalia Balsytė and Prof. Petras Geniušas) and was awarded the art licenciate degree.
Competitions, Courses
I. Baikštytė has participated in piano competitions: 1996 S. Vainiūnas and L. Knezhkova-Hussey competitions (Canada, she won second prize at the latter), 1999 International M. K. Čiurlionis Piano and Organ Competition and International Competition “George Enescu” (Romania; she took first prize at the latter).
Other achievements: in 2000, first prize at the Pianists-Accompanyists Competition at the LMTA for the V. Landsbergis Fund Award; in 2002, second prize at the I Competition for Chamber Duos in Sweden (with violinist R.Lipinaitytė); in 2004, first prize at the competition-festival 21st c. Art in the Ukraine (Vorzel), accompanyists group; in 2005, first prize and the Landsbergis Fund Award at the International Pianists and Accompanyists Competition (professionals group), Vilnius.
In 2006 Indrė Baikštytė won the International Stasys Vainiūnas Piano and Chamber Ensemble Competition with the piano trio FortVio (Ingrida Rupaitė – violin, Povilas Jacunskas – cello). In summer 2006 the trio attended courses at the 16 Internationale Sommerakademie 06 Prag-Wien-Budapest with professors: A. Kouyoumdjian, S. Devich, F. Rados and P. Schuhmayer. During the courses the ensemble won an award for the exceptional performance of a Viennese classic opus and a special prize for the great interpretation of a chamber opus. In 2006 FortVio won third prize at the XIII International Johannes Brahms Competition in Poertschach (Austria).
In 2006 at the Beatričė Grincevičiūtė Chamber Singing Competition I. Baikštytė accompanied the singer Raminta Vaicekauskaitė: the soloist won the first prize, and the pianist took the Best Accompanyist of the Competition award.
Concerts
The pianist performs at concerts organised by the Lithuanian National Philharmonic together with the National Symphony and Lithuanian Chamber Orchestras. She has given solo recitals and performs both in Lithuania and abroad (Austria, Canada, France, Germany, Italy, Poland, Russia, Portugal, Romania and Sweden).
Indrė Baikštytė prepares chamber music programmes together with violinist Rūta Lipinaitytė. Since 2001 the duo has been known as Domino Duo. In 2002 the ensemble won second prize at the I Competition for Duos in Sweden. In 2002, together with this violinist I. Baikštytė participated in the Ost / West Festival in Wupertal (Germany). In 2003 the duo participated in the International Chamber Music Competition in Sanguinetto (Italy). The same year the duo successfully represented Lithuania at the International Youth Chamber Music Festival in Berlin.
She has given concerts together with famous Lithuanian conductors Saulius Sondeckis and Robertas Šervenikas, violist Gediminas Dačinskas, violinists Rūta Lipinaitytė and Martynas Švėgžda von Bekker, flutist Giedrius Gelgotas, cellist Povilas Jacunskas and Edvardas Armonas, vocalists Raminta Vaicekauskaitė, Joana Gedmintaitė, Asmik Grigorian, Kęstutis Alčiauskis and Ignas Misiūra-Tumanovas.
Employment
In summer term, 2002, and winter term, 2002 / 2003, the pianist was invited to work as a teaching accompanyist at the Fine Arts Faculty, Singing Department, Anke Eggers class, Universität der Künste Berlin.
At the moment the pianist works as an accompanyist at the Lithuanian Academy of Music and Theatre and National M. K. Čiurlionis School of Arts. At the National M. K. Čiurlionis School of Arts Indrė Baikštytė teaches in the Accompaniment and Chamber Ensemble Departments. The pianist is a lecturer at the Accompaniment Department, Lithuanian Academy of Music and Theatre.
Where Is the Father's Granary for voice and piano
Lullaby, for voice and piano
Suite of Stories, for voice and piano
Like the Touch of a Sea Wave for violin and piano
Scene of Egle and Zilvinas from ballet "Egle, Queen of the Grass-snakes"
Sonata
„Habanera“ for viola & piano
All Through the Night I Have Been, for voice and piano
Sonata „Subita“ for violin and piano
The Rivulet Flows, for voice and piano
Maidens' Bench Bended, for voice and piano
Sarbinčiula ogėla, for voice and piano
The Sea (VL 255) fragment from the symphonic poem for piano
„Scherzino“
Reverie. Elegy for piano and violin
A Star for piano and violin
Gavotte for violin and piano
Nocturne for violin and piano
A Starlet, for voice and piano
Pine-trees, for voice and piano
Mother-in-law's song for voice and piano
Poppies for voice and piano
Oh, upon the Hill (Ulijona), for voice and piano
Spring Night in Berlin, for voice and piano
Sun is Going Down, for voice and piano
I will Blossom like the Wormwood, for voice and piano
Sonata for violin and piano (1972)
How Lovely, for voice and piano
Sonata (1983) for violin and piano
Sonata for flute and piano (1977)
„Pasodoblis“ for viola and piano (1988)
Songs of Sulamite
Lithuanian folk song arrangement for voice and piano
My Heart Celebrates Today, for voice and piano
Trio
Eight Moods, Op.43 for piano
Trio in D major op. 70 No.1 („Geister Trio“)
Hungarian Dances No. 2, 5 for Piano trio
Trio in B major, op. 8
Trio in C major Hob XV:21
Trio in G major Hob XV:25
Elegy
Trio in E minor, op.67
Andante Pastorale et Scherzettino for flute & piano in G minor
Early Songs (7), for voice & piano (or orchestra)
“I am Coming from Spain” from the zarzuela Jewish Boy
“Mountain Ridges of Granada” from the zarzuela La tempranica
„Gracia mia“
„No lloreis ojuelos“
„Descúbrase il pensamiento de mi secreto cuidado“
“I am Coming from Spain” from the zarzuela Jewish Boy
Funf Lieder nach Ruckert / Five Ruckert Lieder
„Trova“
„El Molondrón“
„Canción del café de Chinitas“
„Romance de los pelegrinitos“
„Al Amor“ words by Christóbal de Castillejo
„En el Pinar“
„Corazón porque pasais...“
„El majo celoso“
„Con amores la mi madre...“
„El Tumba y lé“
„Del cabello mas sutil...“
„Coplas de Curro Dulce“
Gretchen am Spinnrade ("Meine Ruh'..."), song for voice & piano, D. 118 (Op. 2)
Ständchen ("Leise flehen meine Lieder"), song for voice & piano (Schwanengesang), D. 957/4
Der Tod und das Mädchen ("Vorüber, ach vorüber"), song for voice & piano, D. 531 (Op. 7/3)
Die Forelle ("In einem Bächlein helle"), song for voice & piano, D. 550 (Op. 32)
Du bist die Ruh, song for voice & piano, D. 776 (Op. 59/3)
Heidenröslein ("Sah ein Knab..."), song for voice & piano, D. 257 (Op. 3/3)
Frauenliebe und - leben, Op. 42
Dichterliebe, Op. 48
“La petenera” from the zarzuela La Marchenera
Poema en forma de canciones, for voice & piano (or orchestra), Op. 19
Saeta en forma de salve a la Virgen de la Esperanza, for voice & piano (or orchestra), Op. 60
Poems (3), for voice & piano, Op. 81
Wesendonk Lieder, songs (5) for voice & piano (or orchestra), WWV 91
Fussreise ("Am frischgeschnittnen Wanderstab"), song for voice & piano (Möricke Lieder)
Im Frühling ("Hier lieg ich"), song for voice & piano (Möricke Lieder)
Lebe wohl ("Lebe wohl! Du fühlest nicht"), song for voice & piano (Möricke Lieder)
Nimmersatte Liebe ("So ist die Lieb!"), song for voice & piano (Mörike Lieder)
Heimweh ("Anders wird die Welt"), song for voice & piano (Möricke Lieder)
Verborgenheit ("Lass, o Welt, o lass mich sein"), song for voice & piano (Möricke Lieder)
Das verlassene Mägdlein ("Früh, wann die Hähne krähn"), song for voice & piano (Möricke Lieder)
English Suite, for keyboard No. 3 in G minor, BWV 808 (BC L15)
Sonata No. 26 Les adieux/Lebewohl in E flat major, op. 81a
Piano Sonata No. 8 in C minor ("Pathétique"), Op. 13
Sonata No. 13 Quasi una fantasia in E flat major, op. 27/1
Ballade for piano No. 3 in A flat major, Op. 47, CT. 4
Sonata No. 2 in B flat minor, Op. 35, CT. 202
Polonaise-fantasy for piano No. 7 in A flat major, Op. 61, CT. 156
L'Isle joyeuse
Sonata in C major, Hob.:XVI/50
Sonata No. 16 in C major, KV 545
Sonata No. 19 in D major, KV 576
Rondo for Piano & Orchestra KV 382
Sonata No. 5 in C major, op. 38
Romeo and Juliet, pieces (10) for piano, Op. 75
Tombeau de Couperin
Jeux d'eau
Novelettes (8) No. 1, 2, 8 op. 21
Kol Nidrei, for cello & orchestra, Op. 47
Sonata for cello & piano, L. 135
Silent Woods (Klid), for cello & orchestra (arr. from From the Bohemian Forest, B. 133), B. 182 (Op. 68/5)
„Grand Tango“
Elfentanz for cello & piano, Op 39 "Dance of the Elves"
Sonata for cello & piano in C major, Op. 119
Adagio & Allegro for horn (or violin or cello) & piano in A flat major, Op. 70
Sonata for cello & piano in D minor, Op. 40
Sonatas BWV 1014-19
Rhapsody for violin & piano No. 1, Sz. 86, BB 94a
Rondo des Lutins op. 25
Romance No.2 in F major op. 50
Sonata for violin & piano No. 8 in G major, Op. 30/3
Sonata for violin & piano No. 7 in C minor, Op. 30/2
Sonata for violin & piano No. 5 in F major, „Spring”, op. 24
Sonata for Violin & Piano No. 2 in A major ("Thun"), Op. 100
Sonata for Violin & Piano No. 3 in D minor, Op. 108
„Poem“ op.25
Sonata for violin & piano, L. 140
Romantic Pieces (4) for violin & piano, B. 150 (Op. 75) (rev. of Miniatures, B. 149)
Sonata for violin & piano No. 3 in A minor ("dans le caractere populaire roumain"), Op. 25
Danza Espanola, for orchestra (from "La Vida Breve")
Sonata for violin & piano in A major, M. 8
Sonata No. 2, in G major, Op. 13
Sonata No. 1 , in F major, Op. 8
Sonata in E flat major op. 11/1
Sonata No. 1
Sonata in A major, KV 305
Sonata for violin and piano No. 1 in F minor op.80
Vokalise
"Tzigane", Rapsodie de concert, 1924
Sonata in G major
Introduction and Rondo Capriccioso, for violin & orchestra in A minor, Op. 28
Variations on a original theme op. 15
Habañera from Bizet's "Carmen"
Sonata for violin & piano No.1
Suite Italienne, for violin & piano (after Pulcinella, transcribed with Samuel Dushkin)
Scherzo-tarantelle, for violin & piano in G minor, Op. 16
Fantaisie brillante sur Faust op. 20
Polonaise (No. 1) de concert, for violin & orchestra in D major, Op. 4
Légende, for violin & orchestra (or piano) in G minor, Op. 17
Polonaise in A major op. 21 No. 2
Elegiac poem in D minor op.12
To mark the 90th anniversary of composer EDUARDAS BALSYS
Suite from the ballet Egle, Queen of the Grass-snakes
Reflections of the Sea for string orchestra
Dramatic Frescoes for violin, piano and orchestra
To mark the 90th anniversary of composer EDUARDAS BALSYS
LITHUANIAN NATIONAL SYMPHONY ORCHESTRA
Soloists:
RŪTA LIPINAITYTĖ (violin)
INDRĖ BAIKŠTYTĖ (piano)
Conductor JUOZAS DOMARKAS
"Crazy for Love"
FEDERICO MORENO TORROBA
“La petenera” from the zarzuela La Marchenera
PABLO LUNA
“I am Coming from Spain” from the zarzuela Jewish Boy
RUPERTO CHAPI
“Song of a Warder” from the Madrilenian farce Daughters of Zebedeo
GERÓNIMO GIMÉNEZ
“Mountain Ridges of Granada” from the zarzuela La tempranica
FERNANDO J. OBRADORS
From collections Classical Spanish Songs: “The Clumsy One”, “Poem”, “Romance of Pilgrims”, “In the Pine Forest”, “From the Softies Hair…”, “Couplets of Sweet Narcissist “
ENRIQUE GRANADOS
“My Gracious”, “Don’t Cry, Dear Eyes”, “Forgive My Secret Expectations”
JOAQUÍN TURINA
“Chant”, “When Such a Beauty Looked at You”, “Desires”, “Poem in a Form of Song”, “Dedication”, “Not Forgotten”, “Songs”, “Two Fears”, “Crazy for Love”
RAMINTA VAICEKAUSKAITĖ (soprano)
INDRĖ BAIKŠTYTĖ (piano)
J.Haydn Piano Trio in C major, Hob XV:21
D. Shostakovich Piano Trio No. 2 in E minor, op. 67
Enrique Granados (1867–1916) Gracia mia
Enrique Granados Descúbrase il pensamiento de mi secreto cuidado
Fernando J. Obradors (1897–1945) ”Canciónes clásicas españoles“
El Molondrón
Romance de los pelegrinitos
En el Pinar
Coplas de Curro Dulce
Joaquín Turina Saeta
Joaquín Turina Anhelos
Joaquín Turina Poema en forma de canciones:
Cantares
Los dos miedos
Las locas po amor
Raminta Vaicekauskaitė (soprano), Piano Trio „FortVio“: Indrė Baikštytė (piano), Ingrida Rupaitė (violin), Povilas Jacunskas (cello)
Raminta Vaicekauskaitė (soprano) and Indrė Baikštytė (piano)
Fernando J. Obradors (1897–1945). Songs from cycle „Canciónes clásicas españoles“:
1. ”Trova“
2. ”El Molondrón“
3. ”Canción del café de Chinitas“
4. ”Romance de los pelegrinitos“
5. ”Al Amor“ words Christóbal de Castillejo (XVII c.)
6. ”Corazón porque pasais...“ (XVII c.)
7. ”En el Pinar“
8. ”El majo celoso“ (XVIII c.)
9. ”Con amores la mi madre...” words Juan Anchieta (XV c.)
10. ”El Tumba y lé“
11. ”Del cabello mas sutil...“
12. ”Coplas de Curro Dulce“
Intermission
1. Enrique Granados (1867–1916). ”Gracia mia“ words anonym
2. Enrique Granados. ”No lloreis ojuelos“ words Lope de Vega
3. Enrique Granados. ”Descúbrase il pensamiento de mi secreto cuidado“
4. Joaquín Turina (1882–1949). words D. Francisco Rodriguez Marín:
”Anhelos“
”Vade Retro!“
”A unos ojos“
5. Joaquín Turina. ”Saeta“ words S. J. A. Quintero
6. Joaquín Turina. ”Homenaje a Lope de Vega“:
”Cuando tan hermosa os miro...“
”Si con mis deseos...“
”Al val de Fuente Ovejuna...“
7. Joaquín Turina. words Ramon de Campoamor:
”Dedicatoria“
”Nunca olvida“
”Cantares“
”Los dos miedos“
”Las locas po amor“
Sergiu Natra "Trio in one movement" No. 2 (Lithuanian premiere)
Ludwig van Beethoven Piano Trio in D major, Op. 70 No. 1 ("Geister Trio")
Faustas Latėnas Sonata for violin and piano
Cesar Franck Sonata for violin and piano in A major
Notes:
Aleksandras Štarkas (violin), Indrė Baikštytė (piano), Edmundas Kulikauskas (cello)
Igor Stravinsky Italian Suite (from the ballet "Pulcinella")
George Enescu Sonata for violin and piano No. 3 in E minor, Op. 25 (“In Romanian Style”)
Manuel De Falla Spanish Suite
Olivier Greif Indian Raga
Maurice Ravel Concert Rhapsody "Tzigane"
DOMINO DUO: RŪTA LIPINAITYTĖ (violin), INDRĖ BAIKŠTYTĖ (piano)
Piano Duo Recital "A Journey Around the World"
Rūta Lipinaitytė and Indrė Baikštytė appeared as professionals worthy of each other during their concert from the series Returns (Sugrįžimai). Both were remarkable for their sensitivity to music and each other; they managed to be great soloists and play in ensemble impeccably.
Both performers are personalities full of youthful strive and energy. All opuses performed during the concert showed the Domino Duo as a lively chamber ensemble, open to creative experimentation and with a potential to seek other summits of performance.
Among the factors decisive in the successful debut of M. Švėgžda and I. Baikštytė’s duo is the subordination of both musicians who adequately understand the role of their violin and piano parts. This characteristic, as it is well known, takes a long time to form and mature through systematic rehearsals, accumulating experience, and does not always show during debut concerts when musicians want so much to prove the importance of their skill. Thus, when accompanying to the programme of virtuoso opuses I. Baikštytė has discovered an appropriate space for her outstanding skills in this area to unfold without the fear to remain in the soloist’s shadow. She has polished the observation of style, harmony, phrase-response and thematic continuity subtly and precisely, thus creating a great opportunity for the violinist’s sense of freedom and artistic intentions to flourish, and without them, it would be difficult to imagine the typical style of M. Švėgžda.
A good professional preparation of both musicians, perfect taste and sense of style, manifested when they were performing a Sonata by Beethoven. A suitably chosen tempo, the sound range and a good sense of ensemble were delightful. The latter quality became particularly apparent in Gipsy Melodies by P. Sarasate: the sensitive and meaningful accompaniment of piano did not restrain the flight of violin. We had an opportunity to admire the perfect technique of Indrė Baikštytė, her wide range of timbre, sound and professional attitude to the variety of ensemble performance moving from chamber performance to accompaniment.
The performers in the concert were three talented Lithuanian musicians, laureates of many international competitions: Martynas Švėgžda von Bekker (violin), Povilas Jacunskas (cello) and Indrė Baikštytė (piano) who joined to play trio for the first time. <...> From the very first sounds we were plunged into the sea of romantic feelings when subtle whispers were replaced by wild outbursts, mournful melancholy, by triumphant precipitation. The musicians conveyed each of these changes with skill and sensitivity (I emphasise the word ‘sensitivity’): an aerobatics, which is difficult to express verbally.